MADDIE 20th Anniversary Deluxe Edition London Cast Album - Reveiw by Ian Gude for reviewgraveyard.com

 

In the age of digital, there are two labels who have the UK theatre recording market sewn up. Gone are the days when First Night or TER/JAY used to release everything that came along. We are now lucky to have SimG Records, who are pioneering the works of new writers and performers, and Stage Door who are committed to preserving ‘Lost’ British Theatre scores from the last 50 years. I’m lucky enough to review for both, and was very excited when I heard that the later, Stage Door, were to release a 2 CD deluxe version of the original London Cast recording of Maddie.

For those who don’t remember, Maddie opened at London’s Lyric Theatre in September 1997, and closed not long after. It was a musical that was in development for nearly 8 years and was based on the Jack Finney novel Marion’s Wall (adapted as the 1986 film Maxie) and featured music by Stephen Keeling, lyrics by Shaun McKenna and book by McKenna and Steven Dexter. Maddie was developed during the Stephen Sondheim Masterclass at Oxford University in 1990. After numerous workshops producer Kenny Wax premiered Maddie at the Salisbury Playhouse on September 5th 1996. After achieving critical acclaim in Salisbury, the production transferred to London’s Lyric Theatre the following year starring Graham Bickley, Summer Rognlie, Kevin Colson and Lynda Baron.

So, to mark the 20th anniversary of Maddie premiering at the Salibsury Playhouse, Stage Door have released a 2 Disc Deluxe Edition presentation of the Original London Cast Album. Featuring 3 new 2016 recordings (performed by Meredith Braun, Dominic Hodson, Moir Leslie and Alister Cameron) plus a bonus disc with 25 previously unreleased studio demos of cut songs and alternate versions performed by an illustrious roster of West End stars including John Barrowman, Jacqui Scott, Matt Zimmerman, Lorna Dallas, John Barr, Angela Richards, Hal Fowler, Mary Millar and Teddy Kemper.

The musical tells the story of Nick and Jan Cheyney who have recently moved into a dilapidated attic apartment in downtown San Francisco. Beneath the peeling wallpaper, they are amazed to uncover a message scrawled in lipstick by 1920s dancer Madeline Marsh. Fascinated by the discovery, they are unprepared for the return of its ghostly author still desperate to become a movie star.

I am one of those lucky enough to remember Maddie first time around, although I didn’t get to see it. 1997 was a strong time in the West End, and Maddie just never made it to the top of my list to see. Sad really, as I bought the original CD release from the much-missed Dress Circle theatre shop, and it’s always been one of my favourite ‘lost’ musicals. It’s a great example of a musical that should have made it, but didn’t. It’s quality writing, and certainly had a quality cast, as can be heard here. It’s a very listenable score, and its songs, I think, rank up there with anything you can compare it to. ‘If Not For Me’ is both a vehicle for Baron’s voice and also for the great orchestrations here by Caroline Humphris. The vocal star on the recording is obviously Rognile, who gets some of the best numbers in the show, including the infectious ‘From Now On’ and the big-sounding ‘Star’.

But what I’m most impressed about on this issue are the three 2016 tracks and of course the demos - the real value and interest for any collector like me. They are worth the price and the effort of the release alone. The three 2016 tracks are just wonderful - a perfect blend of great material, and superb performances. The stand out track here, and probably on the album, is Meredith Braun’s recording of ‘There We Were’, but to be honest all three of the tracks have merit. The demos are also extremely listenable, and are accompanied by some fine piano playing too. It was also great to hear John Barr and Jacqui Scott again - in my mind, two of the most underrated theatre actors in the UK.

A worthy release, and ideal for a first time listener, or a collector who just wants more.

9/10

Reviews for the Maddie 20th anniversary

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MADDIE 20th Anniversary Deluxe Edition London Cast Album. Review by Jenny Ell for broadwayworld.com

 

Further empowering their ethos of preserving 'lost' British theatre, Stage Door Records are releasing their latest cast album, Maddie, with a 20th Anniversary Deluxe edition bumper pack of a CD.

 

Originally developed at Oxford University in 1990 during a Stephen Sondheim masterclass, emerging and ambitious producer Kenny Wax opened the show at Salisbury Playhouse in 1996 following a series of workshops. The production then went on to open in the West End the next year following superb reactions from the critics. The two-disc album includes the original recording, alongside a collection of studio demos which include cut songs and alternate versions, and three bonus tracks recorded this year.

 

The show centres around Nick and Jan, a couple who have recently moved to San Francisco. Upon renovating the house, they come across a message on the wall drawn in lipstick by esteemed 1920s dancer Madeline Marsh. Little did they know that she has unfinished business and would soon appear again.

 

Based on Jack Finney's novel Marion's Wall, the book is written by Shaun McKenna (also lyricist) and Steven Dexter. The score by Stephen Keeling is catchy and elements of repetition keep the story grounded. Whilst the book appears to flow well, the lyrics tell a story within the individual musical numbers as they should, but are not particularly imaginative.

 

Maddie certainly has a Hollywood glamour feel to it and occasionally sways into the realms of City of Angels and Sunset Boulevard in its feel. The trumpet-led overture and entr'acte are inviting at the top of each act, and many of the musical numbers are very character-driven. With both Jan (Summer Rognlie) and museum patron Cordelia (Lynda Baron) being used at different times to play the infamous Ms Marsh whilst being possessed by her, it's a difficult job for both performers to separate out their two characters.

 

Ultimately they do so successfully and their vocals alone define who they are playing. As a personal preference, Baron's vocals are richer as Marsh as occasionally Rognlie's can become a little sickly - however are very pleasing when playing Jan. This said, Rognlie has the sassy seductress side of Marsh perfected and this shines through during "I'll Find Time For You" and "Easy".

 

Graham Bickley, playing Nick, exercises superb vocals throughout, particularly during "Ghost" and "Afraid". It is very interesting to hear the alternate versions of these songs, sung respectively by John Barr and John Barrowman. All excellent in their own right, but a clear difference in intent.

 

Whilst the cut songs and alternate versions are extremely interesting, there are more tracks than on the cast album itself. A select few would have perhaps been a little more suitable for impact. One of the new tracks, "There We Were", is sung exceptionally by Meredith Braun and is actually favourable to "Finale 1" used on the album.

 

An intriguing production, but ultimately a show that needs to be seen as well as heard.

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